Ciarán Finlayson: Perpetual Slavery Cerith Wyn Evans How can we begin to

How can we begin to formulate a progressive politics—or even a vision of the future—by listening to the Earth

Kunsthaus Bregenz (2004)

it was originally exhibited at Jenny’s Gallery in Los Angeles for the exhibition “King and Slave” This new iteration brings focus to the delirious expression of an androgynous face

For over half a millennium

Kojève suggests that in creating (rather than replicating) beauty

Ciarán Finlayson: Perpetual Slavery Cerith Wyn Evans How can we begin toFloating Opera Press, 2023, Softcover, 80 pages, 17 12 cm In Perpetual Slavery, Ciarn Finlayson investigates the relationship of art to freedom in the work of Cameron Rowland and Ralph Lemon, who both utilize imagery of labour haunted and structured by the historical experience of slavery. Finlayson suggests that these two artists work overcomes the dichotomy between the recording of history and its interpretation by making both the object of artistic