Fred Moten and Stefano Harney: The Undercommons: Fugitive Planning & Black Study Institute of Contemporary Arts ‘I learned to see in

‘I learned to see in my mother’s house

commissioned text by Jeff Schwartz on the historical context of political engagement of free jazz musicians

James’s Park

Haunted Houses is about the past within the present

and Crank Calls) brings together ten stories

Fred Moten and Stefano Harney: The Undercommons: Fugitive Planning & Black Study Institute of Contemporary Arts ‘I learned to see inMinor Compositions, 2013, softcover, 166 pages, 14. 3 x 21. 6 cm In this series of essays Fred Moten and Stefano Harney draw on the theory and practice of the black radical tradition as it supports, inspires and extends contemporary social and political thought and aesthetic critique. Today the general wealth of social life finds itself confronted by mutations in the mechanisms of control, from the proliferation of capitalist logistics through