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with new essays detailing his key roles in London Film-makers’ Co-op
Nikolay Lapshin and Mikhail Le Dentu
Some contributions were realized on the occasion of workshops
A mosaic of ethnic and religious groups
and disability
La Nonpareille / The Incomparable AI with new essays detailing hisLa Nonpareille expands on Batia Suters site specific installation at TU Delft, in which she engaged with an archive of glass slides from its library. Originally used between 1900 and 1960 for lectures in Mechanical Technology, these visibly worn plates document machines, industrial materials, and production processes during a period of increasing mechanisation. Suter reworks the material into a visual reflection on the entanglement of humans and