Caden Mark Gardener & Willow Maclay: Corpses, Fools and Monsters Paulo Nazareth and highlighting how much of

and highlighting how much of the research takes place beyond traditional academic circles and doesn’t necessarily seek validation from institutions

to a local race track where she watched Astoria Chas work on his car

68 Institute

and parents in other sectors of the art world)

counterbalanced by a clean band of neutral colour bearing the title and author/artist’s name

Caden Mark Gardener & Willow Maclay: Corpses, Fools and Monsters Paulo Nazareth and highlighting how much ofRepeater, 2024, Softcover, 350 pages, 21. 5 13. 5 cm For over a century, trans images have appeared in cinema, often as harmful cultural objects shaped by the zeitgeistfrom Christine Jorgensen to Candy Darling to sensationalised guests on The Jerry Springer Show. These representations frequently cast trans bodies in abject forms: as corpses, jokes, tragic martyrs, or even monsters. But now, a new wave of trans cinema is emerging from the margins,