" which rejected soft-focus pictorialism in favor of extreme clarity
Born in Wisconsin
highlighting the civilian toll and the intensity of the struggle from a perspective often critical of Western intervention
Cecil Beaton used his diaries to document the "theatre of life
High-Profile Photographic Samples
Women Photographers. Camera Fiends & Kodak Girls: 50 Selections by and about Women in Photography, 1840–1930, edited by Peter E. Palmquist. Untitled (Friends of Photography) " which rejected soft-focus pictorialismMidmarch, 1989. Wraps, as issued, 272 pages, fine with front cover starting to curl. Some of the women photographers who wrote or are the subject of these selections include Julia Margaret Cameron, Catharine Weed Barnes, Abbie Cardozo, Eva Watson (later Watson Schtze), Gertrude Kasebier, Zaida Ben Yusuf, Imogen Cunningham, Mary Carnell, Maude Wilson, Dorothea Lange, Laura Gilpin, et al. A better copy than is generally available. Summary: Camera Fiends
